Title: Opus Ensemble 2007
Artists: Opus Ensemble, Pedro Ribeiro, Ana
Bela Chaves, Olga Prats, Alejandro Erlich Oliva
Composers: Franz Joseph Haydn, Ludwig Van Beethoven, Fernando Lopes-Graça, António Victorino D’Almeida
OPUS ENSEMBLE 2007
Presenting world-premiere recordings of two notable works dedicated to the Opus Ensemble by Portuguese authors is the basic concept that determined the choice of repertoire on this CD.
The persistent action of dissemination of Portuguese music begun by the Opus Ensemble in 1980 had an unconditional proponent in Fernando Lopes Graça. His artistic and human relation with Olga Prats and Ana Bela Chaves predates the founding of the Opus Ensemble, which the great composer welcomed with sincere enthusiasm. In this way, preexistent ties generated new and vigorous connections.
Geórgicas was dedicated to the Opus Ensemble in 1989. The world premiere took place in Tomar (12/14/1991) and the Latin-American premiere was organized by the Wagnerian Association of Buenos Aires, with assistance from the ministerial guardian of culture of the Republic of Argentina and with the support of the Portuguese Embassy (08/25/1993). A studio videorecording of the work was made by RTP (Portuguese Television) and a live audiorecording was made by RDP (Portuguese Radio); but until now, the work was never published on CD.
De Profundis à memória de Bruno Pizzamiglio (Op. 130) by António Victorino d’Almeida was the first work dedicated to an Opus Ensemble regrouped as a quartet, after its reduction to a trio motivated by the death, in 1997, of the founding oboist of the ensemble.
Its premiere (Viana do Castelo, 09/20/2003) signaled the first performance of the Opus Ensemble with Pedro Ribeiro, who, is now a permanent member of the group.
In the program notes for that event, the composer wrote (excerpts): “Bruno Pizzamiglio left us and his place in the Opus Ensemble stayed empty and silent. But nothing can last forever – not even the absence dictated by death – when one considers such a superior concept, complex but concrete, called resurrection… De Profundis is, without a doubt, a long and agitated meditation on this strange phenomenon – at times frightening or even aberrant, in other cases, almost bearable as natural – which is the passage of someone we know, with whom we have dealt and worked, from the world, apparently far from his future resurrection”…. A single sonority clearly in the major mode, on the final beat of the final measure, defines the certainty that I have always had in the indisputable truth of that resurrection and that the Opus Ensemble would reemerge today without empty space or silence, not because the grief is past, but because time has passed.”
Haydn and Beethoven, heavy names in any repertoire, are particularly welcome here, as they constitute referential archetypes worthy of special admiration. This is assumed publicly, on the part of the two illustrious Portuguese creators that the Opus Ensemble, with pride and gratitude, pays homage on this CD.
Finally, a warm greeting for João Almeida (Antena 2) and Fernando Rocha (NUMÉRICA), who, enthusiastically and effectively made the realization of this undertaking possible.
Alejandro Erlich Oliva